Mitte aller Ferne

**Leuchtzeiten**, 2012
Installation view, Einstellungsraum Hamburg

**Leuchtzeiten**, 2012
Installation view,
Solo Exhibition “Schaltkreise”, Einstellungsraum Hamburg
Projected drawing, plastic and iron rods, ladder, cable reels, multiple plug, automatic timers, fluorecent tubes, coloured foil, acrylic glass

**Verheißung und Menetekel**, 2013
Acrylic and oil on canvas, 170 x 200 cm

**Alpha und Omega**, 2013
Acrylic and oil on canvas, 170 x 200 cm

**Wirrsal**, 2013
Acrylic and oil on canvas, 170 x 200 cm

**Impulsradar**, 2012
Acrylic and oil on canvas, 200 x 240 cm

**Hamburgisch sezieren**, 2013
Collage and acrylic on cardboard and wood, 32,2 x 43,8 cm

**Monument monoton**, 2013
Collage and acrylic on cardboard and wood, 43,8 x 32,2 cm

**Der Vermesser**, 2013
Collage and acrylic on cardboard and wood, 43,8 x 32,2 cm

**Terrain**, 2013
Collage and acrylic on cardboard and wood, 43,8 x 32,2 cm

**Vom Verlust**, 2013
Collage and acrylic on cardboard, 24,5 x 21 cm

**Remmidemmi**, 2013
Collage and acrylic on cardboard and wood, 21 x 24,5 cm

**Plus morgen**, 2012
Collage and acrylic on cardboard, 21 x 24,5 cm

**Salzsäule**, 2013
Collage and acrylic on cardboard, 21 x 24,5 cm

**Das Haus des Philosophen**, 2013
Collage and acrylic on cardboard and wood, 24,5 x 24,5 cm

**Wechselwirkungen**, 2010/13
Acrylic and oil on canvas, 100 x 120 cm

At the centre of distance

Familiar places experiencing partial alienation and dissolution of boundaries can be found in the art work in this series (2008-2013). The motifs for this repertoire were taken from real places such as Bille power station, an industrial ensemble which is partly a listed building, in the Hammerbrook district of Hamburg. In paintings and collages architectural fragments are combined to create new spatial illusions. Real and fictional elements are blended thus creating surreal scenes.

Räume der Verortung, der Entfremdung und Entgrenzung finden sich in den Arbeiten dieser Serie (2008-2013). Das motivische Repertoire ist realen Orten wie bspw. dem Kraftwerk Bille entnommen, einem teils unter Denkmalschutz stehenden Industrieensemble in Hamburg Hammerbrook. In Malerei und Collagen werden architektonische Versatzstücke zu neuen Bildräumen kombiniert, reale und fiktive Elemente ineinander verschoben und so surreale Szenerien entworfen.